Taylah Strehlow

Download strokeWeight Font Family From Schriftlabor strokeWeight is inspired by the aesthetics of computer vector graphics. strokeWeight is the name of a processing programming function to set the thickness of a stroke. The single bezier curve that describes a stem as a centerline with a particular stem thickness represents the basic idea of this typeface. The unconventional corners and stem endings derive from the concept. If you buy the complete strokeWeight family you will get a strokeWeight variable font file for free! Download strokeWeight Font Family From Schriftlabor Download Now View Gallery

Download Justice Font Family From SMeltery Rough monospace type with cowboy boots: Here is Justice! Initially designed in 2004, Justice has been totally rethought in 2017 for the visual identity of Ceinturama. For this new version the fixed-width principle has been used to turn this typeface into a kind of construction game. A series of decorative accessories (systems of borders, arrows and ornaments) have been developed in order to make typesetting more playful. Designed from the outset to be as comfortable on screen, on paper as on wall, Justice has aesthetic qualities suitable for handmade signage. It’s your turn to play! Please find the PDF type specimen/manual over there. Download Justice Font Family From SMeltery Download Now View Gallery

Download Molto Font Family From TypeTogether Xavier Dupre’s Molto font family is a tonal master, creating tenderness in a slab serif and tempering toughness with flourishes. Slab serifs created their original niche by their ability to grab attention and overwhelm, which caused them to be seen as strong, dominant, and desired fonts, especially in advertising. Slab serifs are the result of placing defined edges on something meant to take up an inordinate amount of space, rather than meant to be graceful. Molto updates this concept to allow a greater, and gentler, range in the lighter weights. Molto’s nine weights are defined by their intended use. The two extreme weights (Hair and Fat) act as display partners for magazines, titles, and posters. The Hair weight is runway ready with its sturdy serifs, breathy internal space, and stable lettershapes that were designed both to perform and im...

Download Ekster Font Family From Indian Type Foundry Ekster is a geometric sans serif typeface from the Parisian designer Ilya Naumoff. Many of its letters are simplified; you’ll find several places in the typeface where the connection of bowls to stems isn’t fussy, for example, and horizontal strokes – like those in the ‘f’ and the ’t’ along the x-height – don’t bisect their letters’ main vertical stems (but populate the left-hand side only instead). Ekster’s lowercase ‘u’ is also symmetrical. The family includes a staggering number of weights – eight in total, and these range from Thin through Black. Each weight has both an upright font and an oblique-style italic on offer. The letterforms in all of the Ekster weights are drawn with virtually monolinear strokes. Ekster’s x-height is moderate, and the lowercase’s ascenders rise up to the same height as the capital letters and the numerals. However, the best feature of Eks...

Download Ray Font Family From Indian Type Foundry Ray is a light-hearted family of display fonts. Its letterforms were inspired by the kind of typefaces used on digital displays. The family includes five variants, each of which shares the same character width, inter-character spacing, and OpenType features. They are each derived from a strict grid. Ray One’s letterforms make use of a series of dots overlayed on top of a background grid. The capital letters, lining figures, and lowercase ascenders are nine dots tall. The x-height is seven dots. The descenders have two dots worth of space available below the baseline. The Ray Two fonts uses squares instead of dots. These all run into each other, but still present a pixelated effect to the texts they set. Those squares are rounded off in Ray Three, making this style appear like a combination of the Ray One with the Ray Two font. Ray Four adds bridges between many of the gaps ...

Download Ulm Grotesk Font Family From Indian Type Foundry Ulm Grotesk is a family of geometric-style fonts for use at display sizes. Its design is so simplified that it feels quite futuristic. There are five weights on offer, ranging from Light to Extra Bold. The characters have been drawn with optically-monolinear strokes. The capital letters contain quite a lot of character; some of them are markant, too. The ‘J’, for instance, is very wide. The fonts’ default ‘Q’ separates the ‘O’ stroke from the tail visibly; a more traditional-looking ‘Q’ is available as an alternate. The forms of the capital ‘A’, ‘V’, ‘W’, and ‘Y’ are reminiscent of the ‘worm logo’ that was used by NASA in the 1970s and ’80s. The lowercase ‘m’, ‘n’, ‘r’, and ‘u’ are spurless. The high-modernist geometric style of the ‘a’, ‘b’, and ‘c’ call Paul Rand’s iconic ABC logo to mind. The tail of the ‘j’ is a simple, vertical stroke. The ‘g’ and the ‘y’ each ...